Mars in a dish

Don’t call this an AI, whatever you do. Jenna Sutela’s mentor on this project, Memo Atkin, has issued a public warning that “every time someone personifies this stuff, every time someone talks about ‘the AI’, a kitten is strangled.”

Watching Jenna Sutela’s art-video nimiia cétiï for New Scientist, 11 September 2018

Putting the wheel in its place

wheel
Mary Evans / Grenville Collins

 

What made the rickshaw so different from a wagon or an ox-cart and, in the eyes of many Westerners, so cruel, was the idea of it being pulled by a man instead of a farm animal. Pushing wheelchairs and baby carriages posed no problem, but pulling turned a man into a beast.
for New Scientist, 20 January 2016

 

 

 

Dead Water’s on Amazon

Anyone curious to know where the hell I’ve been for the past four years (or, indeed, why I ever bothered to come back) can jolly well pre-order the hardback which comes out on 1 August, and there’ll be a Kindle edition a month before that (they’re just sorting out the pricing).

The main reason for posting this was I thought this was the final (final) ((final)) cover image. It actually turns out be the version before the version that was the final (final). Anyone wondering what publishers do with all their money now have their answer: it’s spent on rehab after having to deal with revisions to the (((final))) revised (final) revised new final.

Dead_water_cover

Dead Water

Here’s our first (proper) cover design for Dead Water, a novel that shoves contemporary pirates in one end of the accelerator, late-nineteenth century cosmology into the other, and throws a very large switch.

Image

Nic thinks this cover can be finessed – we don’t need the wavy lines on the type, for example. Otherwise, we like it. What do you think?