Pierre Huyghe: Digital canvases and mind-reading machines

That UUmwelt turns out to be a show of great beauty; that the gallery-goer emerges from this most abstruse of high-tech shows with a re-invigorated appetite for the arch-traditional business of putting paint on canvas: that the gallery-goer does all the work, yet leaves feeling exhilarated, not exploited — all this is going to require some explanation…

Visiting UUmwelt, Pierre Huyghe’s show at London’s Serpentine Gallery, for the Financial Times, 4 October 2018