Art, Science and the Truth

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Here’s something for the evening of Thursday 27 April 7-10 pm.

Designer and trouble-maker Leila Johnston has invited me to join Katharine Vega (chroma.space) and Dr Sean Power (Trinity College, Dublin) at the Site Gallery in Sheffield to ask whether art, science and belief are “branches of the same tree” as Albert Einstein once said, and what happens when some of those branches begin to crack?

Full details here.

 

D’Arcy Wentworth Thompson, the man who shaped biology and art

Biomorphic portrait of D'Arcy Thompson

Darren McFarlane, Scarus, Pomacanthus, 2012, oil on canvas. (University of Dundee Museum Services © the artist)

Even as geneticists like Ernst Mayr and Theodosius Dobzhansky were revealing the genetic mechanisms that constrain how living things evolve, Thompson was revealing the constraints and opportunities afforded to living things by physics and chemistry. Crudely put, genetics explains why dogs, say, look like other dogs. Thompson did something different: he glimpsed why dogs look the way they do.

For New Scientist, 1 February 2017