There’s a genuine painting that became a fake when its unscrupulous owner manipulated the artist’s signature. And the Chinese fake phones that are parodies you couldn’t possibly mistake for the real thing: from Pikachu to cigarette packets. There’s a machine here will let you manipulate your fake laugh until it sounds genuine. Fake’s contributing artists have left me with the distinct suspicion that the world I thought I knew is not the world.
Visiting the Science Gallery, Dublin for New Scientist, 14 April 2018
Here’s something for the evening of Thursday 27 April 7-10 pm.
Designer and trouble-maker Leila Johnston has invited me to join Katharine Vega (chroma.space) and Dr Sean Power (Trinity College, Dublin) at the Site Gallery in Sheffield to ask whether art, science and belief are “branches of the same tree” as Albert Einstein once said, and what happens when some of those branches begin to crack?
Full details here.
Darren McFarlane, Scarus, Pomacanthus, 2012, oil on canvas. (University of Dundee Museum Services © the artist)
Even as geneticists like Ernst Mayr and Theodosius Dobzhansky were revealing the genetic mechanisms that constrain how living things evolve, Thompson was revealing the constraints and opportunities afforded to living things by physics and chemistry. Crudely put, genetics explains why dogs, say, look like other dogs. Thompson did something different: he glimpsed why dogs look the way they do.
For New Scientist, 1 February 2017
Cars fuelled by water, flying machines and dead/alive chickens are all part of a witty Liverpool show designed to get non-scientists thinking scientifically
for New Scientist, 21 November 2016