“The aim of my work is to create a visually attractive image that draws the viewer in, then shocks them with what is represented,” artist Mandy Barker explains. “This contradiction between beauty and fact is intended to make people question how their shoe, computer, or ink cartridge ended up in the sea.”
A short feature for New Scientist, 22 April 2017
THE past can’t be re-experienced. It leaves only traces and artefacts, which we constantly shuffle, sort, discard and recover, in an obsessive effort to recall where we have come from.
In this New Scientist review (4 April 2015), I got to write about how we invent the past. Highlights include a crying Indian and the biggest nuclear disaster you’ve never heard of.